COnscription

a project by Caglar Kimyoncu. COnscription was a multimedia installation, inspired by stories from Turkey exploring the call-up to military service for people who don’t ‘fit the mould’.

Sailing Out Of Grain

Sailing Out of Grain was an intimate portrait of Hilary Lister, the first disabled woman to sail solo around the UK. This new artwork by renowned artist Juan delGado captured Hilary in a distinctive, mesmerising way.

Disability Artists Training Creative Enablers – DATCE

datce - disability artists training creative enablers logo written in bold letters on a light background

Disability Artists Training Creative Enablers – DATCE was a pilot project ran by filmpro ltd between July 2011 – July 2012 that provided skills and training to a pool of creative individuals to work as ‘creative enablers’.

WAM (Wide Angle Media) Festival

The black and white picture of a woman seated and her hairdresser moving his hands around her head.

The very first disability media festival in Vancouver, Canada, featuring commissioned shorts, feature length films and workshops. For four days, between 22 – 25 March 2012 audiences enjoyed a privileged glimpse of the world through the lens of the disability experience.

Pete Edward’s FAT

FAT was the multi-media journey of a man in search of his heart’s desire. Combining innovative video projections and sound designs with bizarre and poignant anecdotes, FAT followed a queer wheelie in his surreal quest to find the fat man, eat some spaghetti and live happily ever after.

Welcome Stop

The picture of two persons, a black woman and a white man, seated at a table in a cafeteria.

Welcome Stop is a 25-minute narrative short that explores relationships and boundaries among three disabled characters. It follows Morag along the first steps of her path to self-discovery, as she dumps her oppressive boyfriend at a motorway service station and hitches a ride with Gerry, a recovering sex-and-love addict.

Alexander’s Many Faces Of Discrimination

A contemporary portrait of a man, painted with white and black brush strokes.

Alexander’s Many Faces was an installation in the form of a narrative, representing her Discrimination personal experiences of employment disability discrimination. The art piece recreated her journey from discrimination to Employment Tribunal, which also proved to be discriminatory in its access provision.

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